Game of thrones thread go! [ S8 ]

New meta - insane game of throne clearspeed - over 13 billions DPS
Hf :)
Last edited by Heli0nix on May 13, 2019, 4:58:40 AM
^ Ha! That clip was better than the episode, which was like the writers used petty cash to buy cheap vodka, got pissed, banged out ten pages of script, wiped their asses with it, set a zippo to the mess, shoved it at the show's team, and said to them film that.

That's what the producers asked for, it seems. Just one senseless moment after another, hard to fathom what we just watched... it wasn't even fun to make jokes about.

What the hell. I still wanted to enjoy it a bit, see it turn around, bandwagoning aside, but mate. SO BAD.

Hahaha, wow. What did we just watch.

Grade: S for styrofoam, the smoldering sticky stinking burnt Starbuck's cup kind.

ed: calling this Dexter, final episodes. This is beyond LOST.











Last edited by erdelyii on May 13, 2019, 6:17:52 AM
I wonder which author will finish ASOIAF when GRR Martin dies. Brandon Sanderson was a good choice for The Wheel of Time, but there's no guarantee they will find a good replacement for Mr. Martin.
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erdelyii wrote:
Not watching it 'til later but had a peek. Hot damn, I was hoping for Full Targaryan Mad Mode.

Kind of a shame, though...

Spoiler
"
In the abstract, Season 8 sounds like Game of Thrones' female-friendliest yet.

The struggle for the Iron Throne has come down to Cersei and Daenerys. Arya slayed the Night King. Brienne got knighted and got laid. Lyanna Mormont is this season's breakout fan fave. And Sansa, much-abused, much-maligned Sansa, has emerged as one of the smartest players in the game.

So why does it all ring so hollow?

From the beginning, Game of Thrones has distinguished itself through its female characters. Unlike so many other prestige dramas, fantasy sagas, and (pseudo) historical epics, it considered seriously how women and girls might fit into this patriarchal, misogynistic world, how they might be shaped by it, and how they might shape it in turn.

It was a show as interested in how Catelyn guided her son's ascension to King in the North, as it was in any of the military campaigns he waged to get there. It drew Cersei, the conniving queen to a boorish king, as a compelling figure in her own right. It demonstrated how a sweet girl like Sansa might learn to wield her words as weapons, or a shrewd lady like Margaery might exert soft power through feminine charm. And we got to see how characters as different as Arya, Brienne, and Daenerys bucked their society's gender norms, or didn't.

Even in its iffiest moments, though, the show's saving grace was its commitment to character.

True, Game of Thrones' feminism was never perfect. (Remember when Dany got raped in the very first episode? Or those ridiculous sexposition scenes in Littlefinger's brothel?) Even in its iffiest moments, though, the show's saving grace was its commitment to character. Through the first four (or so) seasons, the series' refusal to sort its characters into simple archetypes, its insistence on drilling into their thorny psychologies, its prioritization of slow burns and long games over quick and easy payoffs, yielded some of the most thrillingly complicated female characters on television.

But Game of Thrones has been on a creative decline for years now, basically ever since the show ran out of books to adapt. Storylines have been stripped down to their most basic beats, to be rushed through as quickly as possible, as with the zombie-capturing expedition last season or the Jon-Dany romance this season. Characters have been whittled down to a single defining personality trait, and the relationships between them simplified to the point of nonsensicality: Does it really make sense for Sansa and Arya to share such an easy sisterly bond? Even the visuals have been robbed of color, detail, and light, though Game of Thrones insists that part is your fault.

This is true of all things Game of Thrones at this point, not just its female characters. But watching Sunday's "The Last of the Starks," it's apparent that, for all the girl-power posturing we've seen lately, the women of this show have suffered most of all.

Cersei and Daenerys have lost any nuance either one of them had, turning into reckless, ruthless, power-mad despots. Brienne's lovely relationship with Jaime was reduced to a few quick fucks and then a teary goodbye. Sansa summed up years of sexual assault and psychological torment by explaining that if it weren't for "Littlefinger and Ramsay and the rest, I would have stayed a little bird all my life."

Arya's ugly past as an assassin has been wiped clean, leaving her as a purely heroic figure. Melisandre died unceremoniously once the show ran out of stuff for her to do. Missandei, one of the few women of color ever to exist on this show, was beheaded for shock value.

The thing is, any one of these storylines could have worked. (Well, maybe not Missandei getting fridged — that one's bullshit, through and through.) Brienne's emotional journey has been one of slowly opening up; it makes sense that she'd be devastated after getting dumped by the first person she's ever let herself be vulnerable with. Sansa has been changed by her trauma, and it's worth exploring how she's processed it. Dany's Targaryen tendency toward tyranny was seeded back in Season 1, so it's hardly a surprise that it's coming up now.

But that would have required a level of patience and attention that Game of Thrones doesn't have anymore. In its rush to resolve these years-long arcs, the show has relegated them to the same lazy archetypes this show once tried to avoid: the ambitious bitch, the brokenhearted girlfriend, the "empowered" rape survivor.

The men, at least, have better — more active, more essential, more flattering — tropes to return to, because men have always had better tropes to return to in stories like these. Jon is your classic noble hero, and just in case you're not convinced, Season 8 has propped him up by throwing Dany under the bus — not least by emphasizing how little he really wants power. (Strangely, Jon's frequent insistence that he does not want to get promoted has never led to him actually turning down a promotion. But that's a rant for another day.)

Jaime seems poised to do something stupid and noble once he's reunited with Cersei. Euron gets to be the bad boy, felling dragons and seducing queens. Tyrion and Varys are still the guys behind the guys, pulling all the strings from the shadows.

There are still two episodes left of Game of Thrones, and it is theoretically still possible that the show will turn it around. Perhaps Sansa will ascend to the throne, or Dany will prove to be a just ruler, or Brienne will wipe away her tears and jump back into the fray — though doing so in a way that undoes all the fuckery of recent seasons seems more than this show is up for these days.

But from here, I'm guessing that, like so many other Game of Thrones twists, this latest disappointing turn was foreshadowed long ago. Maybe Jaime had it right, last season, when he mused, "It really is all cocks in the end."


from here

Burn, Hollywood, Burn.


Dunno how much I agree with that assessment of the men in the show - they come off as pretty damn bland and stupid as well. Tyrion and Varys have been vastly undermined compared to how they were in the early days, and Littlefinger before them before he was finally killed off. Jon is as one-dimensional as they come - he's pretty much a walking meme. Jamie, as the article says, seems poised to do something stupid. And Euron is a fucking joke - they've simultaneously ruined his character - he's a LOT more scary in the books - while also giving him the most improbable successes, despite him never seeming like he has the mental capability for them. I'd say all the characters in Thrones nowadays have been trashed. And it is currently the women on top, improbably so, even if several of them look to be heading for falls.

As for Missandei being fridged - tbf, she was pretty much their only option for riling up Dany. There are only three characters they can use for that - Jorah (who's already dead), Jon (who, if they're not completely retarded, they could only have had die versus the Night King or, since he didn't die there, in the last episode) and Missandei. Her being a woman of color was largely incidental - the show never really made much off of it.
I wonder if the directors were women the feminists would be so eager to bash them at every step? Something to ponder
"
Ersatzdrummel wrote:
I wonder which author will finish ASOIAF when GRR Martin dies. Brandon Sanderson was a good choice for The Wheel of Time, but there's no guarantee they will find a good replacement for Mr. Martin.


Long as it's not Patrick Rothfuss. He would never finish, ever.

"
Exile009 wrote:
Dunno how much I agree with that assessment of the men in the show - they come off as pretty damn bland and stupid as well. Tyrion and Varys have been vastly undermined compared to how they were in the early days, and Littlefinger before them before he was finally killed off. Jon is as one-dimensional as they come - he's pretty much a walking meme. Jamie, as the article says, seems poised to do something stupid. And Euron is a fucking joke - they've simultaneously ruined his character - he's a LOT more scary in the books - while also giving him the most improbable successes, despite him never seeming like he has the mental capability for them. I'd say all the characters in Thrones nowadays have been trashed. And it is currently the women on top, improbably so, even if several of them look to be heading for falls.


After tonight's execrable mess, I agree with you.

No-one's coming out well, for which I'm glad in a way, equality yay.

Varys would never have ... master of spies and all, just no way.
Tyrion, what... he's just wandering around looking sad at this point.
Jon has been drinking some serious dumb bitch juice since episode one (he never was a quick study but now, new levels have been reached).
Euron, always has been so bad.
Jaime, uhh, yeah... all that character development to end up where he did.
Haven't read the books (just part of one and didn't like it).

"
Exile009 wrote:
As for Missandei being fridged - tbf, she was pretty much their only option for riling up Dany. There are only three characters they can use for that - Jorah (who's already dead), Jon (who, if they're not completely retarded, they could only have had die versus the Night King or, since he didn't die there, in the last episode) and Missandei. Her being a woman of color was largely incidental - the show never really made much off of it.


You have a point, more for riling up GreyWorm (which felt really off, that whole scene). Dany, I suppose but not how mad she's gone, that's just way off. Notice we didn't even get shots of her crazed face, just of the dragon. I agree, the article writer seems to think Missandei being a person of colour and thus needing to be kept alive is important, not sure I agree.

"
JonSnow wrote:
I wonder if the directors were women the feminists would be so eager to bash them at every step? Something to ponder


Suspect some of the decisions would be very different, one can only wonder. Have none of these been directed by women?


Last edited by erdelyii on May 13, 2019, 8:37:20 AM
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Heli0nix wrote:
New meta - insane game of throne clearspeed - over 13 billions DPS

Lol. How I imagine it would look like if GGG were to introduce crossbows into the game until the nerf.
And this episode is bullshit as well.

“Human decency is not derived from religion. It precedes it.”
― Christopher Hitchens
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Man this last episode was amazing I loved every second of it, the battle between the hound and the mountain finally!

love this show. Last episode next week <3
"
鬼殺し wrote:
Oh, and I didn't watch LOST either. Or Dexter, past a few seasons. I'm like the fucking Neo of TV binge-watching, I dodge that many bullets. That or maybe unlike some people here, I just stop watching when something goes to shit and GoT did that ages ago. If you stuck around even after the fast-travel debacle, you have no excuses to be surprised at how bad it is now. Low hanging hate-fruit munched on by PoE junkies. Gosh, whodathunk.


Did you stop watching Sherlock before season 4 as well?

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